![]() ![]() To the right of the GUI, however, you’ll find a mix of familiar (Attack and Release) and new (Auto Vibrato, Harmonize and Key Clicks for the saxes). The principle controls – including Monophonic triggering which is useful for realistic ‘single instrument’ performances, and Dynamics via CC which is essential for realistic dynamics on long articulations – are the same. The main controls for Studio Horns share many similar features to Studio Strings, although you’ll soon notice some differences here as well. Of course, you might also want to use a single instrument – like trumpet or sax solo – in which case you’ll turn to the single instrument patches. Blow your own trumpetĪs with Studio Strings, the Studio Horns instrument is split between single instrument patches, for example a trumpet, and full-sized ensemble patches that blend a combination of trumpets, saxes and trombones.Įnsemble patches are great for quick-and-easy brass lines, especially on pop and R&B tracks that traditionally use a blend of instruments, rather than distinct voices, whereas more involved jazz arrangements (like a big band, for example) may want the distinct and separate instruments. If you’ve paid close attention to our exploration of the Studio Strings instrument you’ll notice a fair amount of crossover between the instruments, although of course, there’s a number of unique features, as well as an adapted working methodology, that suits a slightly different set of musical objectives.
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